My work for stage and screen is formally playful, sharp, and knotty, often focussing on themes including misogyny, technology, the climate crisis, and war.
My professional debut, ARE YOU WATCHING?, opened May 2026 at the Royal Court.
Awards include the Bloomsbury New Writing Prize, Arsenal/Hope Theatre Monologue Prize, longlisted for the Ilfeld Prize, and longlisted for the Bruntwood International Playwriting Prize.
My writing has been generously supported by the Royal Court and Wilton's Music Hall.
ARE YOU WATCHING?
Royal Court, Jerwood Theatre Upstairs
May 29th to July 4th 2026
★★★★★ (A Youngish Perspective)
★★★★ (The Guardian)
★★★★ (WhatsOnStage)
★★★★ (The Stage)
★★★★(Time Out)
★★★★ (Financial Times)
★★★★ (The Arts Desk)
★★★★ (London Theatre)
★★★★ (Broadway World)
Porn. Deepfakes. Disappearing girls. A journalist wired to a machine. A mother’s grief sold for clicks.
As the lines blur between entertainment and abuse, technology and sex, violence and voyeurism - who’s complicit and who is in control? And are you watching?
Georgie Dettmer makes her professional playwriting debut with this world premiere. Directed by Jess Edwards (Conversations After Sex).
★★★★ ‘Unflinching... admirably unafraid... Georgie Dettmer’s reckoning with internet culture is brutally realised by director Jess Edwards’ - The Guardian
'Dettmer speaks – in her fierce, tightly crafted dialogue – for the next generation of female voices who are trying to make sense of this grave new world. ' - The Observer
★★★★ ‘a highly impressive professional debut, tackling burning issues with snap, wit and rage’ - Financial Times
★★★★ Dettmer displays an unerring ear for dialogue and a fierce, bold imagination… it may turn out to be one of the most important plays of 2026' - WhatsOnStage
★★★★ ‘Powerfully uncomfortable debut play about violence, voyeurism and desire in the internet age… As disturbing an hour of theatre as you’ll see on the London stage.’ – Time Out
★★★★ 'smartly written, with raw truthfulness, humorous flashes and distant echoes of the plays of Caryl Churchill, Martin Crimp and Mark Ravenhill' - The Arts Desk
★★★★ ‘an ambitious and unsettling piece that demands reflection, even if what you find in the mirror is not something you want to see.’ – Everything Theatre
★★★★ ‘Disturbing, provocative and formally assured, this is an impressive debut from a playwright with a distinctive voice and a production that lingers long after its final image.’ – Theatre and Tonic
★★★★★ 'Dettmer’s professional playwriting debut arrives at the Royal Court with the assurance of a writer several plays further into her career." A Young-ish Perspective